Blue Spill designed the title sting and in film graphics for Netflix 8 part series, Captive, produced by two-time Oscar-winning producer Simon Chinn (Man on Wire, Searching for Sugar Man) and acclaimed executive producer Doug Liman (The Bourne Identity). The series examines the most challenging hostage situations of our times, from the highest-profile cases to those…
Blue Spill worked in conjunction with ITV’s 3Sixtymedia to deliver a range of VFX shots for BBC’s new Danny Baker sitcom starring Peter Kay, Cradle to Grave. We worked on episodes four through to eight, on an average of 30 VFX shots per episode. There was a great range of shots, most of which were helping…
Working closely with director Cosmo Fielding-Mellen and editor Nick Packer, we provided around thirty minutes of in film sequences for Passion Pictures, The Sunshine Makers. The film explores the original creators of the infamous 1970’s acid Orange Sunshine, Nick Sand and Tim Scully. The primary sequence above is part of our Investigation Board series. The film…
Working with Passion Pictures and Red Box Films, we designed the title sequence for Bond, Everything or Nothing. We were bought on board during the edit, having worked with director Stevan Riley previously on the Gierson award winning Fire in Babylon. Stevan discussed his concept for the sequence, which involved seeing each ‘Bond’ through a gun…
Having worked with director Stevan previously (Fire in Babylon, Bond; Everything or Nothing), we had some early meetings to discuss style and his unique narrative approach. Without the use of talking heads, Stevan’s use of archive was incredibly important. We also needed to consider Stevan’s reconstructed footage, which initially sat too clean in the edit and required…
