Eric Clapton | Life in 12 Bars

Blue Spill worked closely with Passion Pictures and director Lili Fini Zanuck (Rush, Cocoon) over a six month period to create a range of animation sequences for Eric Clapton: Life in 12 Bars. The film is an intimate, revealing musical odyssey on the life and career of Eric Clapton, told by those who have known him best, including BB King,…

The Man from U.N.C.L.E.

Blue Spill designed motion sequences for Guy Richie’s The Man From U.N.C.L.E. Initially we came on board for two sequences, which was later extended to three. Our key focus were two split screen sequences within the film, which were around three minutes in length. Inspired by the iconic 1960’s split screen style, we also looked to modernise the…

The Lure

Blue Spill crafted the opening title sequence for Tomas Leach’s film, The Lure, produced by Robert Fernandez and exec. produced by Errol Morris. The film is based on Forrest Fenn’s treasure, following various hunters led only by Fenn’s abstract poem. Within the sequence we explored the reveal of incongruous information, aesthetically representing the difficult journey of…

Professor Branestawm Returns

We delivered over 50 vfx shots for the hour long Christmas Eve special. Having previously worked with Tanvir Hanif (Cilla, Midwinter of the Spirit, Cradle to Grave), we came on board early to discuss approach and workflow. Supervised internally by Blue Spill’s Head of VFX Anthony Brownmoore, we worked with Dave Child in managing the team…

Jonathan Creek | Daemon’s Roost

Blue Spill’s Ant Brownmoore worked with VFX Supervisor Tanvir Hanif on the feature length special; Jonathan Creek : Daemons Roost Ant attended set for a weeks VFX supervision on the dungeon set to create the pit of flames and various shots of the exterior of the location house, which Tanvir would later extend and enhance…

My Scientology Movie

Blue Spill collaborated on Louis Theroux’s My Scientology Movie, designing the opening title sequence, end credit sequence, photographic sequences, twitter feeds, narrative cards, LTs and location IDs. Inspired by the Church’s use of filming techniques, and aided by ex-members of the organisation Louis Theroux used actors to replay some incidents people claim they experienced as members in…

Captive

Blue Spill designed the title sting and in film graphics for Netflix 8 part series, Captive, produced by two-time Oscar-winning producer Simon Chinn (Man on Wire, Searching for Sugar Man) and acclaimed executive producer Doug Liman (The Bourne Identity). The series examines the most challenging hostage situations of our times, from the highest-profile cases to those…

Cradle to Grave

Blue Spill worked in conjunction with ITV’s 3Sixtymedia to deliver a range of VFX shots for BBC’s new Danny Baker sitcom starring Peter Kay, Cradle to Grave. We worked on episodes four through to eight, on an average of 30 VFX shots per episode. There was a great range of shots, most of which were helping…

The Sunshine Makers

Working closely with director Cosmo Fielding-Mellen and editor Nick Packer, we provided around thirty minutes of in film sequences for Passion Pictures, The Sunshine Makers. The film explores the original creators of the infamous 1970’s acid Orange Sunshine, Nick Sand and Tim Scully. The primary sequence above is part of our Investigation Board series. The film…