Spiral

Working with Passion Pictures, we designed an opening title sequence for Laura Fairrie’s film, The Spiral. The film explores the rise of anti-Semitism and assaults against Jews in present-day France. We came on board on the later stages of the edit, to design a title sequence which conceptualised the key themes of the film. Laura…

The Traffickers

Blue Spill designed the title sequence and in episode graphics for 8 part series, The Traffickers. Executive produced by Simon Chinn, Jonathan Chinn and Sam Collyns, the investigative series follows the illegal trades of precious minerals, counterfeit drugs and endangered species around the globe. We developed the series aesthetic with an initial exploration of the title sequence,…

The Final Year

https://vimeo.com/250428204 The film provides an unprecedented look at the shaping of US foreign policy by following key members of outgoing US President Barack Obama’s administration. Having worked with director Greg Barker previously (Legion of Brothers, Manhunt, The Thread, Sergio, Koran by Heart), we were approached by Greg early during the LA based edit to conceptualise an opening…

American Animals

Blue Spill designed the graphical elements for the opening title sequence for Bart Layton’s film, American Animals. We also designed the main on ends, typographical elements and an in film split screen sequence.  We came on board during the London based edit, and worked closely with Bart and editor Julian in executing their vision for the sequence.…

Eric Clapton | Life in 12 Bars

Blue Spill worked closely with Passion Pictures and director Lili Fini Zanuck (Rush, Cocoon) over a six month period to create a range of animation sequences for Eric Clapton: Life in 12 Bars. The film is an intimate, revealing musical odyssey on the life and career of Eric Clapton, told by those who have known him best, including BB King,…

The Man from U.N.C.L.E.

Blue Spill designed motion sequences for Guy Richie’s The Man From U.N.C.L.E. Initially we came on board for two sequences, which was later extended to three. Our key focus were two split screen sequences within the film, which were around three minutes in length. Inspired by the iconic 1960’s split screen style, we also looked to modernise the…

The Lure

Blue Spill crafted the opening title sequence for Tomas Leach’s film, The Lure, produced by Robert Fernandez and exec. produced by Errol Morris. The film is based on Forrest Fenn’s treasure, following various hunters led only by Fenn’s abstract poem. Within the sequence we explored the reveal of incongruous information, aesthetically representing the difficult journey of…

Professor Branestawm Returns

We delivered over 50 vfx shots for the hour long Christmas Eve special. Having previously worked with Tanvir Hanif (Cilla, Midwinter of the Spirit, Cradle to Grave), we came on board early to discuss approach and workflow. Supervised internally by Blue Spill’s Head of VFX Anthony Brownmoore, we worked with Dave Child in managing the team…