Sir Alex Ferguson | Never Give In

https://youtu.be/dXx5QH8dKPg IN CINEMAS 27th MAY Blue Spill were very excited to work on the motion picture of one of football’s most iconic manager’s, Alex Ferguson. The film is reflective journey of monumental moments throughout Ferguson’s life, on and off the pitch and set against the backdrop of Ferguson’s brain haemorrhage, which he suffered in 2018.…

In the Same Breath

Blue Spill felt extremely honoured to be able to work on this relevant and highly significant documentary In The Same Breath. A film which narrates the origins and escalation of the COVID-19 pandemic from Wuhan in China across to the USA. Documenting how the Chinese and American governments reacted and dealt with the outbreak. The…

We Are X

https://vimeo.com/152682662/ed4bb2c5ee We created the title sequence for We Are X, which premiered Sundance 2016 and has since won the SXSW Excellence in Title Design Audience Award. The film explored the eclectic world of Japanese band, X Japan.   Our brief, from director Stephen Kijak, was to respond to the band’s early slogan, “Psychedelic Violence Crime of Visual Shock.”…

Take Your Pills

Blue Spill designed the title sequence and over seventy in-film motion graphic sequences for Netflix’s Take Your Pills. The title sequence was nominated for a BAFTA Title Design Craft award. Directed by Alison Klayman (Ai Weiwei: Never Sorry), the film explores Adderall abuse in American society. Alison was interested in exploring an aesthetic which was eclectic.…

Assassin’s Creed

Having worked with VFX producer Sarah Tulloch previously (The Man From U.N.C.L.E.), we came on board the final stages of post to look at two sequences. One was the opening title animation, and a secondary sequence when Michael Fassbender’s character dies.  Our key focus was the title animation. We worked closely with VFX Supervisor and director Justin…

Hillsborough

Blue Spill delivers 50 graphics + visual effects for Daniel Gordon’s BAFTA winning and Emmy nominated documentary on the Hillsborough disaster. Due to the ongoing inquest, the film has been in a two year holding pattern – and now that the inquests are finally over, the film can be shown in the UK. Having worked…