Blue Spill designed the title sequence and over seventy in-film motion graphic sequences for Netflix’s Take Your Pills. The title sequence was nominated for a BAFTA Title Design Craft award. Directed by Alison Klayman (Ai Weiwei: Never Sorry), the film explores Adderall abuse in American society. Alison was interested in exploring an aesthetic which was eclectic.…
https://vimeo.com/236899207/c3c8c8533bWe were approached by Greg Barker to collaborate on his film, Legion of Brothers, detailing America’s first response into Afghanistan after 9/11. It is an incredibly powerful personal story which questions the nature of war, and the effect on those who served. We’d previously worked with Greg on five of his previous films (Sergio, Koran by Heart,…
https://vimeo.com/425504695/692a616c67We were approached by Greg Barker to collaborate on his film, The Longest War, which was commissioned to screen after the Homeland season finale. The film explores the human stories behind America’s involvement in Afghanistan, now the longest war in American history. We’d previously worked with Greg on a number of his previous films (Sergio, Koran by Heart,…
Blue Spill worked closely with director Alex Gibney and the teams at Passion Pictures and Jigsaw Productions (NY) on Citizen K, Alex’s latest film exploring the life of Mikhail Khodorkovsky. We came on board early during the NY based edit, and worked at finding a cohesive aesthetic for various graphical elements across the film. These included presentation credits, newspaper…
And We Go Green Motion Reel And We Go Green | Director: Fisher Stevens and Malcolm Venville. Producers: Leonardo DiCaprio, Christopher St. John, Zara Duffy, Jennifer Davisson Following it’s premiere at Cannes, And We Go Green will be holding their North American premiere at TIFF. We were closely involved with the film over the edit period, and worked with the NY based…
Having worked with director Ursula Macfarlane and editor Andy Worboys previously, Blue Spill was involved early during the editing process for initial conversations. As the cut developed we became more involved, designing several in film sequences for the film, which premiered Sundance 2019. Our early conversations with Urusula were directed around her thoughts for how she…
We were delighted to be asked to create the title sequence and several in episode graphic sequences for Discovery six part series, Why We Hate. Led by executive producers Steven Spielberg and Alex Gibney, they were looking for a strong, cinematic, engaging and thought provoking sequence which explored the key theme of the series; Hate, with a…
Blue Spill delivers 50 graphics + visual effects for Daniel Gordon’s BAFTA winning and Emmy nominated documentary on the Hillsborough disaster. Due to the ongoing inquest, the film has been in a two year holding pattern – and now that the inquests are finally over, the film can be shown in the UK. Having worked…
Blue Spill designed the title sequence and in episode graphics for 8 part series, The Traffickers. Executive produced by Simon Chinn, Jonathan Chinn and Sam Collyns, the investigative series follows the illegal trades of precious minerals, counterfeit drugs and endangered species around the globe. We developed the series aesthetic with an initial exploration of the title sequence,…
