I AM ALI premieres NY

I Am Ali is a Clare Lewin film, telling the life of Muhammad Ali through his personal archive of “audio journals” as well as interviews and testimonials from his inner circle of family and friends. Watch the trailer for the film here  We came on board late in the edit, to assist in finding a visual solution…

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Cilla VFX

Recently we were asked to help out on a shot for the biopic of Cilla Black, which has aired recently on ITV. Despite it being a pretty hefty shot requiring a tidy turnaround, we were super keen to jump on board such a lovely project. Lead Smoke Anthony and fellow Smoke artist Craig Reeves managed…

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Four films at Sheffield Doc/Fest

We’re super pleased to announce that for the second year running we’ve designed four films screening at this year’s Sheffield Doc/Fest. These include; Two films by John Dower, Slaying the Badger and Bradley Wiggins, My Year in Yellow (Dir/Prod. John Dower, Ex Prod. John Battsek) Passion Pictures/Australia Broadcasting Commission film Lance Armstrong; Stop at Nothing (Dir.…

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SXSW 2014

Premiering at this year’s SXSW are two films we have been working on since 2013, Legend of Shorty and The Great Invisible. The former is a UK based film, produced by Simon Chinn (The Imposter) and directed by Angus Macqueen. We came on board during the edit to design a title sequence and several motion…

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Manhunt wins Emmy + Screens @ London Film Festival

  A big high five to the team behind Greg Barker’s “Manhunt: The Inside Story of the Hunt for Bin Laden” (Passion Pictures & Motto Pictures in association with HBO Documentary Films). They’ve recently won an ‘Outstanding Documentary For Nonfiction Special’ Emmy > very exciting! We were involved in designing Manhunt’s conceptualised narrative cards, and worked…

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Bond, James Bond.

  Currently screening on Sky Movies 007 and Sky1 is the Bond feature documentary, Everything or Nothing. Our involvement in Bond began with a conversation starting with something like “I’d give one of my legs to work on this…” Thankfully that wasn’t required. Working with Passion Pictures and Red Box Films, we were bought on…

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