Tina and Bobby

Blue Spill provides VFX for Tina and Bobby Blue Spill delivered over 80 VFX shots for ITV’s Tina and Bobby, including compositing 1960’s West Ham stadium and re-creating the World Cup final at Wembley stadium. Working with VFX Supervisor Tanvir Hanif, whom we’ve previously collaborated with on Jonathan Creek, we also worked with CG artists from Fifth…

Assassin’s Creed

Blue Spill provides additional VFX for Assassin’s Creed We came on board in the later stages, having worked previously with VFX Producer Sarah Tulloch on The Man From U.N.C.L.E. Sarah and VFX Supervisor Ged Wright were looking for fast turnaround solutions for two sequences in the film and also to provide a final composite, animation and finish to the title.…

2016: Our year in review

Blue Spill has once again had an incredibly exciting year, in 2016 we have worked on 10 feature documentaries, a narrative feature, a netflix series, two prime time dramas and two episodic television series. Highlights — Winning the award at SXSW for our We Are X title sequence — Our first Netflix series! We were really excited to…

Three films at DOC NYC

We’re very pleased to announce we’ve designed titles and in film motion sequences for three films at this years DOC NYC festival. Last year we were fortunate to be at the festival, on the panel for the Animation and Graphics Masterclass (more about that here), so it’s a pleasure to be involved again. Captive Premiering…

Louis Theroux in Cinemas

Louis Theroux’s My Scientology Movie is currently in cinemas across the UK. Produced by Simon Chinn, directed (and co-written) by John Dower, presented (and co-written) by Louis Theroux and edited by Paul Carlin. We came on board the London based edit during rough cut, having previously worked with John (Bradley Wiggins, Slaying the Badger) and…

Two Films in London Film Festival

We’re very excited to announce we’ve designed for two films in this year’s BFI London Film Festival. We have the UK Premiere of Stephen Kijak’s We Are X and the premiere of Dan Gordon’s George Best: All By Himself. We’re super excited to see our work on the big screen, particularly in our hometown. George Best: All…

Ken Loach now in cinemas

Blue Spill designs titles and in film sequences for VS, The Life and Films of Ken Loach, currently in cinemas across the UK.  We came on board in the later stages of the London based edit, and met with director Louise Osmond and editor Joby Gee. They were looking for a subtle cinematic feel to…

Blue Spill featured on Art of the Title!

We are very excited to announce our We Are X  title sequence is featured on Art of the Title! We have been long admirers of the site, which celebrates the most incredible title sequences on film and television worldwide. So needless to say we were exceptionally pleased for our sequence to be featured. We were interviewed by Will…

3 Films at Sheffield Doc Fest!

We’re very pleased to announce we’ve worked on three films heading to this year’s Sheffield Doc Fest! We designed titles and in film sequences for each of the three films – Versus, The Life and Films of Ken Loach (Dir. Louise Osmond, Sixteen Films/BBC Films/BFI) Destination Unknown (Dir. Claire Ferguson, Dartmouth Films) and Louis Theroux’s My Scientology Movie (Dir.…